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Historical Fiction with an Iowa View

Follow Ann Hanigan Kotz's journey in writing her newest novel. Read excerpts from her upcoming work.

(photo of the Loess Hills by Julie Christensen Brown.)

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2027

Coming

   In 1840, Mary and Peter Healy flee Ireland’s County Sligo with little more than their seven children and single fierce hope—freedom from poverty and English oppression and a chance to own their own land. Across icy seas, they begin their new life in Toronto where they weave themselves into the fabric of the relocated. Unhappy with their industrial city life, the couple buy land, moving the family to Shefford. Their dreams are once again ruled by the English. The Healys' only chance of escaping prejudice and owning a farm lies in America. Moving south to Cincinnati then west through Illinois and into Iowa, they discover their farm costs them more than comfort. Each new plan for a better life exacts a terrible toll until their dream is built on the absence of those they love most.

   In 1846, amidst the famine in County Limerick, Ronan and Brighid Murphy, along with their young daughter Aisling, flee hunger, determined to start again. Ronan finds work in America, digging the Illinois-Michigan Canal; and Brighid follows with Aisling, stopping first in the slums of New York. A terrible fire propels her onward, seeking Ronan in Illinois for protection and support, but her life is shattered by accident and abandonment. Widowed and vulnerable, Brighid must marry Michael Shea to survive, but tragedy reduces their household to a single member who must find her way in the world. Assuming a new name among the German settlers of eastern Iowa, Aisling loses her Irish connection, her family history, and her sense of belonging.

   In Dubuque, the two bloodlines converge, each carrying what the other has lost: a missing child, a reclaimed identity, a fragile chance at home. Land of Heart’s Desire follows these intertwined journeys—raw with grief, stubborn with hope—as two families fight to give their children a life they never had.

   Ann Hanigan Kotz reimagines her own family’s passage across oceans and continents, asking what a home costs and what heritage is worth when survival demands reinvention.

   A sweeping, tender novel of exile and endurance, Land of Heart’s Desire brings to life the sacrifices, small mercies, and persistent courage of the Irish immigrants who remade themselves in a new world. 

Book 1 of the Olsen Series

When her husband Kristoffer dies from a burst appendix in Iowa in 1905, middle-aged Karoline Olsen, mother of six, must make the 145-mile trip from Cedar Falls to Soldier by horse-drawn wagon to bring his body home. With the corpse on fast-melting ice, Karoline struggles to make good time across the rolling prairie during an exceptionally hot summer, recalling the story of their rocky marriage that brought them from Norway to the New World. The young couple, anxious and naïve, arrive in the United States in 1884, with hopes of establishing a farm among other Norwegian immigrants, but are met instead with constant battle against disease, famine, and poverty. A chronicle of the Olsens’ fight to survive in the undeveloped Midwest, to preserve tradition in a new context, and to protect their family from the ravages of pioneer living, The Journey of Karoline Olsen is the tale of a woman and a wife building the American Dream out of nothing but the dirt on which she stands.

Ann Hanigan Kotz’s debut novel of love, loss, and heartache is based on her own family’s heritage, traced back to its roots and reimagined through a fiction akin to Faulkner. 

The Journey of Karoline Olsen

Sons and Daughters

Book II of the Olson Series

With her husband freshly buried, Karoline Olsen now shoulders the twin burdens of raising her large brood of children, including the one she carries in her belly, and managing a difficult farm life by herself in the Loess Hills. Spanning 1905 to 1933, the second installment of the Olsen series brings major world events—WWI, the Spanish Flu, Prohibition, Suffrage, and the Great Depression—to Iowa, impacting the lives of the Soldier inhabitants, including the Olsens.  


Karoline struggles to keep her children safe and close to their Norwegian roots in the face of pressure to remarry again. She can only watch as one by one her adult children are forced to endure the difficult choices in life, love, marriage, and business, leaving each of them with scars that may never heal. The Lunatic, the Gambler, the Whore, the Teacher, the Entrepreneur, and the Farmer are all titles affixed to these once-innocent children of Kristoffer and Karoline Olsen.


A continuing chronicle of the Olsen family’s survival, Sons and Daughters is the tale of a widowed woman fighting to preserve a legacy, carve her own path amid tragedy and historic hardship, and guide six first-generation American children who are discovering their own identities in a rapidly changing world.


Ann Hanigan Kotz’s second novel of love, loss, violence, and identity once again connects her own family’s ancestors with a vision from the past.

Moonshine by Moonlight

By the light of the moon, hidden in the rolling hills of 1923 Carroll County, Iowa, illegal whiskey flows from homemade stills. Defying Prohibition, farmers-turned-entrepreneurs turn their hog houses, barns, and basements into moonshine operations to feed their families and save their land while dodging the ever-present federal regulators, led by Alvin Truly, the newly deputized agent of the northern district. To stay ahead of the law, the distillers band together into a syndicate, led by a kingpin unknown to all but one man. The anonymous bootleg king builds an empire of whiskey with thousands of gallons of moonshine flowing over Iowa’s borders while conjuring bigger and better ways to get their product across state lines—some going to the famous Chicago mobster—before federal agents can discover their schemes.  Agent Truly, however, has his own plots to trap the bootleggers and bring them to justice. Federal agents against farmers, Wets against Drys, Protestants against Catholics, Moonshine by Moonlight weaves together a fictional story of the bootlegging era while representing the authentic legacy of Carroll County’s underground whiskey industry during one of the most raucous periods of American history.

 

Ann Hanigan Kotz’s third novel exposes the power struggle between the law and the lawless and once again brings readers to Iowa’s past. 

Hardback $28.95 • Paperback $19.95

Wayward Son

Book III of the Olson Series

Floyd Olson, the youngest son of Norwegian immigrant and western Iowa settler Karoline Olsen, dreams of a life of adventure flying aeroplanes, riding motorcycles, and playing poker. Instead, circumstances shoulder the young man with responsibilities of a husband and father. To support his new family, Floyd first works in the muck and grime of corn fields and cattle on the farm with his brother, Tingvald. Later, with the help of his favorite brother, Alex, he finds more suitable work at the bank in Denison. But “the itch” to gamble never quite leaves him.

     

Though he promises his new bride he will put his poker playing behind him, Floyd dips a toe back into his old life and soon dives in head-first, pursuing larger games, the stakes growing ever higher. Aching to battle with the monied men, Floyd finds himself in Sioux City at a table owned by the mob, where he meets a dangerous woman who could ultimately yank him from his family simply by giving him exactly what he wants.

     

The final novel in Ann Hanigan Kotz’s Olson series, Wayward Son is the story of a man gone wrong—a tale of selfishness and unfulfilled desire, of choosing pleasure over obligation, and giving in to the kind of temptation that comes at the cost of life and freedom.

Hardback  $28.95   •    Paperback  $19.95

Presentation Information

Ann offers  presentations to libraries, historical communities, and large groups. The cost is $125 for nonprofits. For-profit groups need to contact the author for price.

 

 Choose from one of the following programs.

 

Norwegian Immigration to Iowa (pairs with the Karoline book)

Suffrage & WWI: The Iowa View (pairs with Sons & Daughters book)

Prohibition & Iowa's Bootlegging Legacy (pairs with Moonshine by Moonlight)- whiskey tastings upon request

Iowa's Rogues & Heroes (pairs with Wayward Son)- includes Iowa trivia contest

Beyond the Parlor Walls: Iowa Women Who Shaped Their Communities.

 

Self-publishing vs. Publishing Companies (general information)

 

Book discussion for groups who have read one of her books.

 

If she travels more than 60 minutes (from Adel), she requests that you find 1-2 other libraries or groups for the same day. Presentations include PowerPoints with visuals, but no sound. ​

 

Contact: annmhanigan@gmail.com

Recent Blog Posts

  I recently discovered why one should always back up their work. I was at the Churdan Library, setting up to present my program. If you didn’t know, I give historical programs at libraries and to other groups. Each book involves a ton of research. I take pieces of the research and do more of it to fill out the information, put a PowerPoint together with mostly pictures and a little text, and teach it like I would if I were standing in front of a group of sixteen-year-old students. The programs have become popular with the library directors, so I travel across the state, imparting Iowa history and selling books.

As I said, I was in Churdan, setting up for my “Iowa’s Prohibition and Bootlegging Legacy” program. I unpacked my sample books and arranged them on the cloth-covered table. I laid out my money-taking supplies: Square, money bag, phone. I plugged my computer into their projector and had the first slide showing on the screen. As I stood scrutinizing my small business, I realized I had forgotten to retrieve my notecards.

A little bit on the notecards… Each presentation includes dates, names of historical figures, statistics, stories, maps, etc. Each card or two gives the information for the picture on the screen. I have three sets of presentation cards: Norway Immigration, Suffrage & WWI, and Prohibition. I carry all of them with me in case I’ve mistakenly written down the wrong program on my calendar (it has happened). I can whip out the right set of cards and throw up the corresponding PowerPoint. Easy peasy. I’ve done each program many, many times. The bootlegging one is now up to around 75 times.

I reach into my official notecard pocket in my bag and see two sets. I remove them and understand they are for the Norwegian and Suffrage & WWI programs. I don’t see the Prohibition one. I begin removing other articles from the bag, thinking I was remiss in putting them in their proper place.

At this point, I am very much like Wile E. Coyote. You remember that cartoon? He chases the Road Runner and ends up going off a cliff. He’s standing in mid-air until he realizes there is nothing beneath him, at which point he plummets to the bottom. A poof of dirt encircles him when he lands. The next segment, the coyote is chasing the road runner again. No harm has come to him.

As I’m searching through the bag, I am in mid-air. Maybe they’re in the book tubs? Maybe I shoved them in my purse? They have to be with me, I reason. Where else could they be? I only remove them for programs and then put them away when I pack up.

After exploring every option, I realize I am now heading toward the bottom of the canyon. I must give this presentation sans notes, without those thirty-five cards. People have already started to enter and take a seat. I have 25 minutes to make new notes. I grab some paper and start pulling up the slides, trying to remember everything I usually say. Much of it is coming to me because it’s almost memorized by this point. I’m struggling with a few dates. When did cigarettes become illegal? What was the date they amended the law? Where was Brookhart from?

At 10:00 a.m., I am out of time. I made it through 60% of the slides. There are still slides for which I will need to recall information as I’m speaking. Not a good thing for someone who is starting to struggle for certain words when the pressure is on.

I begin the program. Things are going moderately well. A few missed dates that I leave unspoken. Then my new notes run out. I am free falling. More information forgotten. Words not coming to me, and I am substituting lame words like “things” and “stuff.” Supposedly, I am good with words, hence the writing of books.

I finish the program and dust myself off. They clap and tell me how wonderful the program was. I think to myself, You should have heard the one with the notes.

Dear reader, you are probably thinking that I’m lucky for having finished and am able to retreat to my abode and find those cards. No such luck. I have another program in Manson at 6:00 p.m. I have enough time to finish the remaining slides and look up some of those dates I forgot.

And the missing notecards? I discovered I had left them at the last library a few days ago. When I called, the director told me she had already sent them to my home. At the end of that very long and stressful day, I opened my mailbox. There they were, safely ensconced in an envelope. I placed them in the correct pocket, ready for the next library.

  I really should put the notes in my computer.  

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